210 Bellenden Road London SE15 4BW +44 20 7207 4845 info@flattimeho.org.uk Find us
About

About

Flat Time House (FTHo) was the studio home of John Latham (1921-2006), recognised as one of the most significant and influential British post-war artists. In 2003, Latham declared the house a living sculpture, naming it FTHo after his theory of time, ‘Flat Time’. Until his death, Latham opened his door to anyone interested in thinking about art. It is in this spirit that Flat Time House opened in 2008 as a gallery with a programme of exhibitions and events exploring the artist's practice, his theoretical ideas and their continued relevance. It also provides a centre for alternative learning, which includes the John Latham archive, and an artist's residency space. 

 

OPENING HOURS

Thursday–Sunday 12–6pm for temporary exhibitions

Open by appointment at other times. To view work by John Latham or to visit the John Latham Archive between exhibitions and events, please email info@flattimeho.org.uk or call 02072074845 to arrange an appointment.

 

GETTING HERE

Peckham Rye – Overground / Rail

East Dulwich – Rail

Free parking is available on roadside in some bays at weekends and from 11am onwards on weekdays
Lyónn Wolf:

Lyónn Wolf: De-production

28 November 2025–25 January 2026 Opening Thursday 27 November 6–8pm Closed 20 December–7 January

Flat Time House and Askeaton Contemporary Arts are pleased to present the first UK solo exhibition of Lyónn Wolf, and a new commission initiated during an artist residency at FTHo in summer 2024. Wolf’s De-production creates an installation running through a succession of spaces in Flat Time House, dramatically transforming its interiors through sculptural and textual interventions. Playing upon the narrative and spatial tropes of popular Science Fiction, De-production has grown into an ongoing project for Wolf, tracing states of transition through what he describes as ‘an intentional re-patterning of reproductive logics’. Themes drawn from close readings of Ridley Scott’s Alien motion picture and subsequent sequels from 1979 to 1997 are a dominant aspect explored – monstrous motherhood, alienated embodiments and transitional states.